Free literary fiction Kindle books for 03 Dec 16

The Carrigan Painting: Mysteries of Billamore Hall Series, Book One

by BJ Richards

A secret from another century.

A woman too determined to be scared away.

In this short reads mystery series, Curators at the infamous Billamore Hall Museum and Art Gallery are being mysteriously murdered, and now no one will accept the job… except Sandra Peterson.

The cozy Massachusetts town of Billamore has been home to the infamous Hall for over 200 years. Renowned for its rare and somewhat macabre collections, being curator there has been a life-long dream for the intelligent, level-headed Sandra. Unlike her best friend, Josephine, who believes in the existence of all things unseen and supernatural, Sandra refuses to be scared off by ghost stories and strange circumstances.

But, when Sandra discovers a hidden painting in the museum, a shocking secret is revealed, drawing her deep into a world of mystery she never knew existed. Suddenly she is the next target of an unknown assassin, and must use her wit to overcome her fear.

Working against time, Sandra must somehow uncover the riddle of the mysterious painting, before she becomes the fourth murder victim in a continuing series of mysteries at Billamore Hall.

Don’t delayâ?¦ find out what happens next to Sandra. Scroll to the top and click the “Buy Now” button today, and download the first novella book of these short-reads mysteries.


by Chris Bell

“Part rock memoir, part densely-textured journey into a dystopian world as rich as [Terry Gilliam’s] â??Brazil’, â??Songshifting’ is wise, elegiac and compelling. It speaks deeply to what music means to us – not just as an art form but as part of our emotional landscape. Wonderful stuff.” DAVE HUTCHINSON, â??EUROPE IN AUTUMN’, â??EUROPE AT MIDNIGHT’, ‘EUROPE IN WINTER’

“Songshifting occupies a unique place in modern fiction: a simple, elegiac story, fierce and uncompromising, it is at once a love letter to a forgotten era, a richly evoked dystopia, and an examination of memory, longing, and music itself. Speculative fiction needs more writers like Chris Bell, ready and able to interrogate our world on their own terms, and probe the darker recesses of our minds. Songshifting demands to be read.” ROBERT DINSDALE, â??GINGERBREAD’

Reader comments:

“Bell writes excellently. It’s particularly rewarding to see that done around the subject of music because it’s such a hard thing to write about well. There’s a real and plausible sense of the future musical landscape despite all the bands being fictional and the characters are well drawn”

“â??Songshifting’ has the authenticity so many attempts at capturing rock music in a novel lack”

“The music scene that provides the backdrop to most of what happens is beautifully fleshed out. I love the slang Bell invented as well as the sense of history he invokes”

Nothing is as it seems. Recordings of your favourite music are banned and confiscated by a repressive regime. You can still see state-sanctioned bands play but at their gigs you’re likely to be administered Sentimental Hygiene: a top secret psychotropic substance with unpredictable and occasionally fatal effects. Of course, you won’t know it; although you may wonder why the musicians have developed supernatural abilities, levitating, disappearing or worse. Raguly and Nebuly, the state’s sinister spies, are everywhere; out to put a stop to anything not controlled by a shadowy head of state, the impresario. And should you manage to evade them, Hector, Scuttler, Mohock, Ugmo and Mentull gangboys are lurking, ready to do you damage and steal your gadgets.

Meanwhile, music journalist Rarity Dean is on a deadline: â??The Grid’, the paper she writes for, is a relic of a past age, still attempting to champion the new music although all home entertainment is considered treasonous.

â??Songshifting’ is set in a city that may be an alternative or future London. The state-sponsored Affable DJ Hologram gives punters a sense of freedom through a stylised form of entertainment while the impresario controls them through its insidious crowd control techniques and censorship. So an ability to songshift – a clandestine and elusive form of time travel that enables listeners to slip into the relative safety of their pasts with the help of their chosen music – is highly prized and jealously guarded by punters and musos alike.

Fraser Carlyon is bassist with Scrooch, whose music falls outside the spirit of the times. Dean suffers from worsening musical hallucinations and relies on the â??Grid Encyclopaedia of New Music’ to refresh her memories of tours past as she tries to dodge the impresario’s agents.

As the state’s experiments in mind, mood and crowd control ratchet up a notch, rebellious musos, songswappers and rival gangs fight the system. Dean inadvertently discovers more than she’d bargained for: a more worrying explanation for the musos’ supernatural onstage â??shtick’ and the ban on recorded music. Meanwhile, a power struggle rages between Scrooch and their biggest rivals, the Dust Bunnies, who eventually call a truce and join forces for Imprimatur, an event to protest the ban on recorded music.

The managers attempt to delay the event’s cancellation using a taste of the authorities’ own medicine, and the pervading mood of darkness lifts as Raguly and Nebuly are thwarted by the power of music and strength in numbers.

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