Free arts and entertainment Kindle books for 06 Oct 18

Light Matters: A Photographer’s Guide to Lighting with Flash On Location

by Brian Fitzgerald

The job of a photographer is to lasso the wind, catch lightning in a bottle, and perform miracles small and large on a daily basis. It’s an endless exercise in control, reaction and letting go…a dance that results in images that push creative boundaries. The use of flash gives photographers their own lightning in a bottleâ??that powerful edge that allows them greater control in any situation and helps them to adapt to the vagaries inherent in location photography.

Light it Right is full of practical information helpful to anyone looking to take their photography to the next level through the use of flash. It’s a non-technical look inside the brain of a working professional photographer that will teach you how to visualize and create images with flash, how to work with clients and subjects and to grow your skills.

Brian Fitzgerald is a busy commercial, editorial and advertising photographer and creator of the Maine Light Workshop. He worked as a staff photojournalist, reporter and photo editor for 16 years. His work can be found at: fitzgeraldphoto.com.



Reconstructing the Shield of Achilles

by Kathleen Vail

[Vail] has changed the words back into gold and silverâ?¦ revivified the text… She has provided for us a glimpse of the world of archaic Greece. – James A. Arieti

Gloriously described in the Iliad, Achilles’ shield is ingeniously crafted by Hephaestus, ancient Greek god of the forge. Visiting him on Olympos, the sea nymph goddess, Thetis, petitions new armor for her son.

Hephaistos replies, “Have courage, my Lady, please trust me! Good gear I can make, but to hide him from death? Now, that is another matter. I only wish I could help him with that, as I can with the making of arms, for I am an expert. No eyes have beheld such gear as I shall provide him!”

True to Hephaistos’ word, Achilles’ divine armor offers the hero a path to revenge, the fulfillment of his destiny, and his key to immortal glory. But as he prepares for battle, Achilles is not blazing with heroic fervor. He’s burning with unrestrained grief, mourning for his beloved Patroklos, trusted chariot driver, brother in arms, his friend with whom he shares everything, especially his heart. Lost to the heat of battle, laid low at the hand of Hektor, slain of life and stripped of armor, his beloved is lost to the ravages of war.

Filled with passionate hatred of war, Achilles swears he will fight the whole Trojan Army single-handed until he takes revenge and brings the Trojan War to its epic end. Donning his new armor, Achilles shines from head to toe in blazing bronze, his body emitting a halo of flames.

Homer brings it all together, right here. Life and death, revenge and hate, righteousness and evil, glory and fate. The voices of the muses strain to the point of breaking as their song empowers Achilles with supernatural fire. Lifting his shield and charging into war, the epic weight of Achilles’ fate tips the scale of Justice in favor of Peace, ushering in the closing act of the Trojan War.

(From the Foreword by Dr. James A. Arieti, Grave H. Tompson Professor of Classics, Hampden-Syndey College, Virginia:)

The arms are presumably lost, but fortunately for us, Kathleen Vail has reconstructed it.

Using her Homer the way Schliemann used his, she has excavated from the text the shape and composition of the shield of Achilles. In so doing she has confounded some of the critics, who claimed it could never be done.

“Detailed reconstruction of the shield is impossible,” writes Webster.

“â?¦nothing so comprehensive and detailed as this could ever have been seen by Homer or his audience,” says Hogan.

“It is not to be supposed that the poet had ever seen such a shield as he describes,” claims Gardner. (1)

Finding artworks of roughly contemporary handiwork, she documents the illustrations and shows that indeed they could have been found on a shield such as Homer describes. It took a god one night to construct the shield; it has taken Ms. Vail-a mere mortal-five years of work and study to complete hers.

Reading Homer’s description of the shield while looking at the illustrations will compel one to read slowly, savoring the details.

A humorless Platonist-the kind who took Plato literally and failed to see the smile behind the dialogues-might think that these images take us even further away from the reality of the ideas. Homer, the Platonist would say, imitated in words the shield Achilles used; Ms. Vail altered the medium and put the words into pictures, moving still more distant from the original idea of a shield.
What does the dour Platonist know? She has changed the words back into gold and silver; she has revivified the text. She supplies the modern reader with an image for his mind’s eye to grasp on to. She has provided for us a glimpse of the world of archaic Greece.



Reflections and Plays of Lights in Brussels: Photo album (Italian Edition)

by Alberto Pian

La città di Bruxelles non gode di fama particolare nel circuito turistico internazionale. A parte la Grande Place e poco altro, non sentirete molti riferimenti a questa città dai normali viaggiatori che, normalmente, preferiscono fare tappa a Bruges. Ci sono stato alcune volte e ha sempre suscitato il mio interesse. In particolare l’atmosfera che certi giochi di luce e riflessi creano in determinate ore della giornata. Così ogni volta ho preso del tempo per seguire proprio questo tema e ho composto questo libro fotografico.

The city of Brussels does not enjoy a particular reputation on the international tourist circuit. There is talk of the Grande Place and little else. You will not hear many references to this city from ordinary travelers who normally prefer to stop in Bruges and Paris. I’ve been there a few times and this city has always aroused my interest. In particular, the atmosphere of certain plays of light and reflections create at certain times of the day. So every time I took the time to follow this theme and I composed this photo book.



A Little Bit of Arizona: Volume 17

by Paul Moore

This is a photography book; it does not explain or attempt to teach you about photography, in Arizona or anywhere else. One of the greatest pleasures about photography is experimenting to see if the image you capture resembles the image you had in your mind when you took it.
This book is small; it is intended to be small. It is an attempt to bring the cost of photography books down to as low as they can go without sacrificing digital quality of the images within. This is the seventeenth volume in a series, length or number unknown at the moment. However, when the series becomes sufficiently voluminous, they will be combined into a larger, and unfortunately more expensive, volume.
This volume contains about 40 images. Future volumes may contain a few more or a few less depending upon final digital size. I sincerely hope you enjoy the images within.



Stillgelegtes Kohlekraftwerk: Bilder veralteter Industrie (German Edition)

by Eckhard Schmittner

Bilder eines stillgelegten, historischen Kraftwerks. Die Bilder geben eindrucksvoll Einblick in veraltete Energiegewinnung und damalige Arbeitsbedingungen.



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